INTERVIEW
Interviewed by Filipa Ramos (with Erika Balsom and Chrissie Iles),
‘Thoughts About Curating Moving Images’,
Mousse Magazine 38, April 2013: 56-61 (published in English and Italian).
JOURNAL ARTICLE
‘European Television Archives, Collective Memories and Contemporary Art’,
The Velvet Light Trap Issue 71, Spring 2013: 47-58.
INTERVIEW
‘Shane McCarthy: Loop System’,
Mousse Magazine Issue 37, February 2013: 142-145.
ESSAY
‘Moss Piglets, Meteorites and Mind-Games’,
Fugitive Papers Issue 3, Autumn 2012: 16-19.
ESSAY
‘To Unfold Indefinitely’,
Bea McMahon: Jesus and Chlorophyll, Dublin: Temple Bar Gallery and Studios, 2012 (unpaginated).
CATALOGUE ESSAY on the work of Phil Collins.
‘Unfortunate Things’,
Artes Mundi 5 2012: Wales International Visual Art Exhibition and Prize,
Cardiff: Artes Mundi, 2012: 50-55.
JOURNAL ARTICLE
‘Cinematic Space, Televisual Time and Contemporary Art’,
Critical Quarterly 54.3, 2012: 31-45.
JOURNAL ARTICLE
‘Temporality, Sociality, Publicness: Cinema as Art
Project’
Afterall 29, Spring 2012: 4-15.
JOURNAL ARTICLE
‘Apperception, Duration and Temporalities of Reception:
The Repetition Festival Show’
Moving Image Review & Art Journal 1.1, 2012: 53-57.
CATALOGUE ESSAY
‘The Chorus and The Contemporary Ruin: Bik Van der
Pol’s Public Arena’
In Context 3, edited by Sarah Searson, Dublin: South Dublin County
Council, 2011.
CATALOGUE ESSAY
‘Proximity in Public: Laura Horelli’s Video
Work’
in
Laura Horelli, edited by Kathrin Becker and Sophie Goltz,
Berlin: Neuer Berliner Kunstverein, 2011: 20-23.
[Published in English and German].
CATALOGUE ESSAY
‘On the Threshold: Artists, Residents and Urban
Renewal’
Looking at Overvecht, Other Ways of Picturing the Post-War Housing
Estate,
edited by Lonnie van Brummelen and Catja Edens, Utrecht: Gemeente Utrecht,
2011: 129 – 152.
[Published in English and Dutch].
EXHIBITION REVIEW
‘Sarah Browne, Project Arts Centre’
Artforum, September 2011: 357-358.
ESSAY
'Architecture, Television, Archaeology: Gerard Byrne’s
subject, 2009'
Images or Shadows: Gerard Byrne, edited by Pablo Lafuente,
Dublin: Irish Museum of Modern Art, 2011: 71-90.
EXHIBITION REVIEW
Dougal McKenzie, Third Space Gallery
Artforum, Summer 2011: 419.
EXHIBITION REVIEW
Declan Clarke, Mother’s Tankstation
Artforum, April 2011: 227.
ARTICLE
‘Staging Television: James Coleman’s So
Different...and Yet’
Mousse Magazine 27, February 2011: 160-165.
EXHIBITION REVIEW
‘School Days’, Lewis Glucksman Gallery
Art Monthly 343, February 2011: 29-30.
CATALOGUE ESSAY
'Bradbury and Beyond'
The Science of Imagination, edited by Hajnalka Somogyi, Kati Simon and
Thomas D. Trummer,
Budapest: Ludwig Museum, Budapest and Siemens Siftung, 2011: 38-43.
REVIEW
‘re : public’
Art & The Public Sphere, volume 1, number 1, 2011: 92-97.
ESSAY
‘Between Space, Site and Screen’
Actors Explain Biennials in Mandarin, Taiwan: Taipei Biennial 2010 and
Taipei Fine Arts Museum, 2011: 60-70.
[Biennial curated by Hongjohn Lin and Tirdad Zolghadr].
ISBN：978-986-02-6866-9
BOOK CHAPTER
'Celtic Revivals: Jim Fitzpatrick and the Celtic
Imaginary in Irish and International Popular Culture'
in Linda King and Elaine Sisson (ed.s),
Ireland, Design and Visual Culture:
Negotiating Modernity 1922-1992,
Cork University Press, 2011: 251-265.
EXHIBITION REVIEW
Phil Collins, Kerlin Gallery
Artforum, January 2011, 232-233.
REVIEW ARTICLE
‘Aesthetic Journalism in Practice: Manifesta 8 and the
Chamber of Public Secrets’
Variant 39/40, Winter 2010: 38-39.
EXHIBITION REVIEW
Haroon Mirza, ‘Anthemoessa’, Mother’s
Tankstation
MAP Issue 22, Summer 2010: 82.
EXHIBITION REVIEW
Katie Holten, Hugh Lane Gallery
Artforum, April 2010: 207-208.
ESSAY
'A Question Like A Loop'
If I Can't Dance, I Don't Want To Be Part Of Your Revolution Edition III
Masquerade, Magazine 5: Sarah Pierce,
Amsterdam: If I Can't Dance, 2010: 5-13.
EXHIBITION REVIEW
Fergus Feehily, Douglas Hyde Gallery
Artforum, January 2010, 213.
ESSAY
‘Art and (New) Media, Through the Lens of the IMMA Collection’
What is Series 1, Dublin: IMMA Education and Community Programmes, 2009: 8-15.
COLUMN
‘Writing After the Exhibition: Tactically
Yours’
The Visual Artists News Sheet, November/December 2009: 4.
ESSAY
‘An Alternative Archive: Vivienne Dick and the Future of
Irish Cinema’
Between Truth and Fiction: The Films of Vivienne Dick, ed. Treasa
O’Brien,
London: LUX and The Crawford Art Gallery, 2009: 70-77.
EXHIBITION REVIEW
Garrett Phelan, Mother’s Tankstation.
Artforum, September 2009, 304-305.
DIALOGUE
‘The Material, The Immaterial, The
Shining: Maeve Connolly and Anita Di Bianco
in Conversation at the Irish Museum of Modern Art’ in Anita Di Bianco,
Ghostwriter,
Braunchsweig: Kunstverein Braunchsweig, 2009, 30-35.
COLUMN
'Writing After the Exhibition: In Absentia'
The Visual Artists News Sheet, July/August 2009: 6.
ARTICLE
City Report – Dublin
Frieze, June 2009.
EXHIBITION REVIEW
James Coleman
Artforum, Summer 2009, 349.
EXHIBITION REVIEW
Lonnie van Brummelen and Siebren de Haan, Project Arts
Centre
Artforum March 2009: 254-255.
COLUMN
'Writing After the Exhibition'
The Visual Artists News Sheet, March/April 2009: 4.
EXHIBITION REVIEW
'Getting Even: Oppositions + Dialogues in Contemporary
Art'
Art Monthly 323, February 2009: 22-23.
CATALOGUE ESSAY
'Death-Defying Acts' in
Gary Coyle, At Sea: The Daily
Practice of Swimming,
Dublin: Kevin Kavanagh Gallery and Project Arts Centre, 2009: 66 -71.
EXHIBITION REVIEW
Ulla von Brandenburg, Irish Museum of Modern Art
Artforum, December 2008: 313.
CATALOGUE ESSAY
'Memory Flows: Traffic Series by Jennifer and Kevin McCoy'
Visualise Carlow 2007-2008, Carlow: Carlow Arts Office, 2008: 20-26.
JOURNAL ARTICLE
'Looking Backwards into the Future: Steadicam Cinematography,
Narrative Space and Urban Regeneration'
The Irish Review 39.1, Winter 2008: 78-92.
JOURNAL ARTICLE
'Of Other Worlds: Nature and the Supernatural in the Moving
Image Installations of Jaki Irvine'
Screen 49, Issue 2, Summer 2008: 203-208.
EDUCATIONAL RESOURCE
'Close Encounters of the Fourth Kind'
In Media Res, MIT Comparative Media Studies Program, March 2008.
CATALOGUE ESSAY
'Inside
the Lighthouse' in Gavin Murphy (ed),
House Projects: Artworks, Documents,
Analysis,
Dublin, 2008: 61-66.
CATALOGUE ESSAY
'Return Again: Subjectivity and Spectatorship in Niamh
Malley's "Vignettes"'
Niamh O’Malley: Window, Siena: Papesse Centro Arte Contemporanea,
2007: 33-43.
CATALOGUE ESSAY
'Imaginary Spaces, Activist
Practices' in Liz Burns, Jesse Jones et al,
12 Angry Films,
Dublin: Fire Station Artists’ Studios, 2007: 17-23.
CATALOGUE ESSAY
'Close Encounters: Cinema, Myth and Meaning'
Martin Healy: I Want to Believe, Dublin: Royal Hibernian Academy, 2007.
EXHIBITION REVIEW
'Cinema Spaces and Structures at the 52nd Venice
Biennale'
CIRCA 121, Autumn 2007: 106-109.
CATALOGUE ESSAY
'The Necessity of Being Lost' in Desperate
Optimists et al,
Made in Liverpool 2006: Beneath the Skin of the City,
Liverpool: Liverpool Biennial, 2007.
CATALOGUE ESSAY
'Familiar and Fantastic Journeys'
In Context 2: Mythic Journey and Killinarden Short Shorts,
Dublin: South Dublin
County Council, 2006 (unpaginated).
EXHIBITION REVIEW
'Jesse Jones, 12 Angry Films'
The Visual Artists' News Sheet: Critical Review Supplement Issue 1, December
2006: 9.
ESSAY
'Parallel Worlds: Contemporary Irish Film Cultures' in
John Hutchinson (ed),
Alabama Chrome,
Dublin: Douglas Hyde Gallery, 2006.
COMMISSIONED ESSAY
'Vivienne Dick'
Luxonline, 2006.
BOOK CHAPTER
'A bit of a traveller in everybody: Traveller Identities in Irish and
American Culture' in Diane Negra (ed)
The Irish In Us: Irishness, Performativity and Popular Culture, Duke University
Press, 2006: 282 - 317.
BOOK CHAPTER
‘Theorising Irish Animation: Heritage, Enterprise and
Critical Practice’
National Cinema and Beyond: Studies in Irish Film 2, edited by John Hill and
Kevin Rockett,
Dublin: Four Courts Press, 2005: 79-89.
ARTICLE
'Abstraction and Dislocation in Recent Works by Gerard
Byrne'
CIRCA: Irish and International Visual Culture 113, Autumn 2005: 31-42.
EXHIBITION REVIEW
'Venice and the Moving Image'
Afterimage: Journal of Media and Cultural Criticism, 33.1 July 2005: 10-11.
REVIEW ARTICLE
'Emporium of the Senses: Spectatorship and Aesthetics at
the 26th São Paulo Bienal'
Third Text, Vol 19, Issue 4, July 2005: 399-409.
EXHIBITION REVIEW
'The Visible and the Invisible: A Partial View of Open
EV+A 2005'
CIRCA: Irish and International Visual Culture 112, Summer 2005.
EXHIBITION PREVIEW
'In Conversation: Experience and Alterity at the 51st
Venice Biennale'
Contemporary 74, 2005: 22-24.
EXHIBITION REVIEW
'São Paulo: Various Venues: São Paulo Bienal'
Contemporary 69, 2004: 59-60.
CATALOGUE ESSAY
'Life in the Departure Lounge'
Transit: 2004 Fringe Festival Visual Arts Programme, 2004 (unpaginated).
EXHIBITION REVIEW
'Nomads, Tourists and Territories: Manifesta and the
Basque Country'
Afterimage: Journal of Media and Cultural Criticism, 32.3, November/December
2004: 8-9.
BOOK CHAPTER
'From No Wave to National Cinema: The
Cultural Landscape of Vivienne Dick’s Early Films
(1978-1985)'
in Kevin Rockett and John Hill (eds.),
National Cinema and Beyond: Studies in
Irish Film 1,
Dublin: Four Courts Press, 2004: 61-76.
CATALOGUE ESSAY
'Souvenirs of Spectacle'
Finola Jones: Artificially Reconstructed Habitats, Canberra: Canberra
Contemporary Art Space, 2004: 13-20.
ARTICLE
'The Doubled Space of Willie Doherty’s
Re-Run'
Filmwaves Issue 23, Winter 2004: 8-10.
JOURNAL ARTICLE
'Sighting an Irish Avant-garde in the intersection of Local and
International Film Cultures',
Boundary 2: International Journal of Literature and Culture, vol.31 no. 1,
spring 2004: 244-265.
PhD DISSERTATION
An Archaeology of Irish Cinema: Ireland’s Subaltern, Migrant and Feminist Film Cultures (1973-87)
School of Communications, Dublin City University, 2003.
JOURNAL ARTICLE
'A Cause for Celebration? Festivals of Irish Film At
Home and Abroad'
Moving Worlds: A Journal of Transcultural Writings vol 3 no 1, 2003: 18-32.
ARTICLE
'Excluded by the Nature of Things? Irish Cinema and
Artist’s Film'
CIRCA: Irish and International Visual Culture 106, winter 2003: 33-39.
JOURNAL ARTICLE
'Re-imagined Communities? Ireland, Europe and the Web as
Shifting Sites of Television Discourse'
Irish Communications Review, vol 9, 2003: 1-7.
ARTICLE
'Green Screen, Review of 30
Years On: The Arts Council and the Film Maker'
CIRCA: Irish and International Visual Culture 104, Summer 2003, 2-23.
REVIEW
'How Things Turn Out, Irish Museum of
Modern Art'
CIRCA: Irish and International Visual Culture 100, summer 2002.
CATALOGUE TEXT
'A Crime Dramatically Reconstructed,
Again'
Greyscale/CMYK, edited by Kate Davis and Rebecca Gordon-Nesbitt,
Glasgow: Tramway, 2002.
EXHIBITION REVIEW
'Plateau of Humankind: The 49th Venice
Biennale'
CIRCA 97, Autumn 2001.
BOOK CHAPTER
'Between the Seasons'
The Glass Eye: Artists and Television,
edited by Maeve Connolly and Orla
Ryan, Dublin: Project Press, 2000: 42-53.
EXHIBITION REVIEW
'Barcelona: James Coleman', Fondacio Antonio Tapies
CIRCA 91, 2000: 60.
REVIEW ARTICLE
'Siting Belfast: Context, Audience and the Symbolic
Economy of the City'
Variant, Vol. 2 No. 7, 1999.
SYMPOSIUM REVIEW
‘A Constructive Lack of Agenda’
CIRCA 89, 1999: 19-20.
ARTICLE
'Postcard from Dublin'
SuperUmbau (Interdisciplinary Urban Project Newspaper) Winter Edition, 1998.